Orchi(D)ad
Director:Qi Heng
Screenwriter:Qi Heng
Cast:None
Producer:None
Cinematographer: Qi Heng, Zhou Nan
Running Time:22min30s
Region:China
Year:2023
Language:Mandarin Chinese
Production Company:None
SYNOPSIS
Orchi(D)ad, as the name suggests, is about “orchid”, about “father” or “patriarchy”. The film mainly outlines ten films related to the symbol “orchid”, emphasizing the connection and entanglement between “orchid” and multiple themes: sex and lust, myth and colonial imagination, collective history, and personal memory, etc. The film quietly shuttles between truth and lies in the form of “storytelling”, attempting to capture the hidden desires and constraints of the encounters in their hearts like mimic orchids.
Director Biography
Qi Heng was born in Guangdong. He graduated in 2018 with a BA in Fine Art at Chelsea College of Arts, and in 2023 from the Central Academy of Fine Arts with a major in the direction of experimental video art research. His practice involves video and writing, and he mainly thinks about how to become a “storyteller”. Recently, he often used specific animals and plants as the source of creation and research, attempting to reproduce the multiple emotions and complex entanglements ignored by mainstream Eco-Narrative. Collecting and organizing stories is an indispensable task for new Eco-Narrative, and Catriona Mortimer-Sandilands’ queer ecologies are his effective theoretical support in reconnecting and constructing relationships and narratives between humans and non-humans. Identified as queer, he has been looking for forms and structures that overlap with “misfortune”, which leads him to focus not only on marginalized communities and queer flora and fauna, but also on all the “ta” who encounter discrimination, exploitation, violence, displacement, and depression.
Director's Statement
My interest in orchids originated from Harold Smith, a male fictional supporting role in David Keith Lynch’s Twin Peaks. I have an indescribable empathy for this “orchid man” who suffers from claustrophobia, which leads me to conduct multi-dimensional cultural research on orchids with confusion. One day in 2020, my father accidentally mentioned his experience of raising Dendrobium officinale Kimura et Migo, which made me realize that there was no one more suitable than him to give feedback on my years of attention to “orchids”. Therefore, I had the theme idea of Orchi(D)ad as early as that year. In 2023, when I completed this work that I had been avoiding for a long time, I felt a sense of relief. In a sense, Orchi(D)ad redeemed me.




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