Wu Laobai (Wu Qiong), works as an artist. Born in 1990 in Northern China, he was concerned about marginal groups’ rights and what they have been through. Through socially engaged art and transdisciplinary collaboration, his art practices could evolve into a public topic. Methods such as field research, documentary filming, theatrical performances, workshops, etc are used through his practices which is expected to go beyond the artistic space (such as museum) and towards a broader public space. He twists the roles of artist and activist, currently living in Southern China. Recently, he has participated in and initiated several social art practice projects, such as: 2015 – 2016, he self-published Xingqing Palace, an independent photographic publication documenting the human ecology in Xi’an Park, which was also shortlisted for the 7th Hou Dengke Documentary Photography Award; 2016 – 2017, he initiated Death ID, a project focusing on unclaimed deaths in Guangzhou, through transdisciplinary collaboration to raise the awareness of public by three cases. The project also was shortlisted for the 2nd Circle Art Youth Award; 2018 – 2019, facing the phenomenon of gay “conversion therapy” in mainland China, he collaborated with the gay police and several gay affirmative organizations to launch the Lovers Project, researched on 96 conversion therapy organizations, Then he traveled with three red trucks printed with gay rights relevant words through 6 cities in mainland. The Lovers Project was supported by many domestic and international organizations, medias, raising the awareness and the discussion of gender right; In 2020, at the beginning of the COVID-19, Wu jointly edited the COVID-19 Aid Manual, which was then wide-spreaded; April 2022, to commemorate those who died of COVID-19, the Unfinished Farewell website was co-sponsored and established with artist Li Jia Bao.